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North London art collection bringing Indian, Sri Lankan and Pakistani contemporary art to Hampstead

Snakin' (2018) By Frances Ferdinands
Art at its best
Untitled (2012) By T. Athiveerapandian
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Tate Museum buys from The Noble Sage
Tiger (2018) By Priya Barot
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Kudallur may describe this as a 'red' but it is clear that the abstract painting is so much more.
Untitled II (Red abstract) (2007) By Achuthan Kudallur
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One of only two tempera paintings in The Noble Sage Collection, this stands out as a representation of Indian history as well as an important work in South Indian art history.
Village Women (1947) By S. Dhanapal
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Aparajithan invokes a graphic, almost poster-like quality to his art, his content often having a simplicity and immediacy. He deliberately resists the temptation to be too painterly in works such as ‘Across Lines’ (2005), concentrating on profundity through simplicity: here a bird flies awkwardly straight downwards to meet with its beak an approaching fish swimming straight upwards. They meet at the water’s angular surface, two creatures of air and water, normally predator and prey, normally separated by their different worlds.
Across Lines (2005) By Aparajithan Adimoolam
Untitled (2014) By T. Athiveerapandian
Woman I & II are conceived as a pair though painted as separate works. Facing in different directions, the women is a classic depiction of a Selvaraj lady: her hair curly, buxom-breasted, elongated eye slits and adorned with jewellery. The works have an ethereal quality in the way the sitters merge and emerge from the background.
Woman I (2008) By A. Selvaraj
The Noble Sage is an umbrella for many different activities from South Asian art exhibitions in London to Education Workshops and custom art tours in London.
The Noble Sage is an umbrella for many different activities
The world is perfect wherever man does not reach with his torment - Alexander Von Humboldt (2019) By Anoma
The wide smile of the performer is made ludicrous by his nudity. His walk backwards on his hands and feet likewise looks slapstick, a parody of the seriousness of modern life. Chowdhury characters such as these are fascinating as they are rarely placed in a distinct surrounding. It is as if they could be everywhere and anywhere in our world. Works such as this seemingly ridiculing our human drama have a dark core inspired by the traumatic experiences of partition, dislocation and isolation.
Acrobat (2002) By Jogen Chowdhury
Two Birds (2019) By Priya Barot