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Mullar Nassr Eddin by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, c.1978
Poland · c.1978

Mullar Nassr Eddin

Dante Elsner

Elsner depicts Mulla Nasreddin, a wise Sufi philosopher and hero of many famous Middle Eastern traditional stories. In the hundreds of funny stories about him, often in which he is the wise fool, the stories reveal a subtle philosophical meaning to the reader. Elsner shows Nasreddin famously sitting on his donkey the wrong way, forced to look at the donkey’s droppings as it walks. Nasreddin holds his nose in disgust. When asked why he rides backwards, Nasreddin answers: “What usually happens is that I want to go in one direction, and this stubborn beast wants to go in the exact opposite way. So, this is our compromise”. Of course, there is no real compromise. His response illustrates the foolhardiness of man: Nasreddin feels in control as he is riding his donkey and travelling. However, he is not travelling in the direction he wants to go so riding changes meaning as he is at the mercy of his donkey. The compromise gains him nothing but satisfies his vain need for control and action.

Medium
Ink and watercolour on Japanese Mulberry paper on painted canvas
Year
c.1978
Dimensions
Unframed42 × 19 inFramed49 × 26 in
Origin
Poland
Code
DAN0013
Price on request
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Mullar Nassr Eddin by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, c.1978
About the artist
Dante Elsner
Contemporary · Krakow, Poland
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You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum by Dante Elsner — Watercolour on Japanese Mulberry paper on painted board, 1990
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