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A London art house since 2006, specialising in Indian, Sri Lankan and Pakistani modern & contemporary art. Viewable by appointment.

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A small Nobody in contact with Great Space, Great Nobody by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, 1980
Poland · 1980

A small Nobody in contact with Great Space, Great Nobody

Dante Elsner

Generally-speaking we only sense Elsner’s Holocaust trauma indirectly in certain works that seem to have greater meaning than that is allocated to them by the title. This image appears both a man with hands outstretched to the heavens ready to receive enlightenment as it does a Holocaust captee begging for mercy -much like a Kathe Kollwitz woodcut of such a subject.

Medium
Ink and watercolour on Japanese Mulberry paper on painted canvas
Year
1980
Dimensions
Unframed42 × 19 inFramed49 × 26 in
Origin
Poland
Code
DAN0018
Price on request
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Mullar Nassr Eddin by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, c.1978
About the artist
Dante Elsner
Contemporary · Krakow, Poland
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Mullar Nassr Eddin by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, c.1978
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Mullar Nassr Eddin · c.1978

Dante Elsner
You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum by Dante Elsner — Watercolour on Japanese Mulberry paper on painted board, 1990
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You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum · 1990

Dante Elsner
Elsner
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You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum · 1990

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Girl and the Parrots by A.P. Santhanaraj — Pen and ink on paper,
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Girl and the Parrots ·

A.P. Santhanaraj