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A London art house since 2006, specialising in Indian, Sri Lankan and Pakistani modern & contemporary art. Viewable by appointment.

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Dante Elsner
Contemporary

Dante Elsner

Krakow, Poland · 1920–1996
“
Dante Elsners fascinating story begins in Krakow, Poland, where he was born to a middle class liberal Jewish family.
Jana Manuelpillai, Director
Origin
Krakow, Poland
Lifespan
1920 – 1996
Era
Contemporary
Works held
4 in collection
Director's statement

Dante Elsners fascinating story begins in Krakow, Poland, where he was born to a middle class liberal Jewish family. His parents had hoped for a medical career for Dante when the Second World War broke out in 1939 and they had to flee to the Russian side of divided Poland. When Hitler broke his pact with Stalin in 1941, Nazi occupation proved too dangerous for the family. The next year, Elsners father and brother and then his mother were rounded up and taken to the Sobibor and Belzec Death Camps. Elsner miraculously escaped and for two years lived on instinct alone in the forest. Traumatised by what he had been through, and yet indebted to his inner voice that had saved him, Elsner found his way to Krakow to study fine art. When, again, Poland began to be unstable, Elsner left for Paris.

In Paris, the artist lived in extreme poverty in an attic room with no eating or running water. He ate in soup kitchens to survive, taking odd jobs wherever he could and using any money he made to produce art. When he ran out of canvases he would paint on his shirts. Whilst in Paris, on the brink of suicide, it was often his visits to the museums that gave him courage. He was introduced to the teachings of the Armenian mystic, G.I. Gurdjieff, who described a new spiritual route for ones life described as The Work: an exploration of human existence for the evolution of man to deeper states of attention, alertness and vision. This was the framework Elsner had been looking for to make sense of his inner voice.

Having married, Elsner moved to Queens Park in London in 1958 and soon after began to receive reparations from the German government for loss in the war. Now financially independent, Elsner dedicated his life to the artistic spiritual journeying of The Work. Inspired by the diverse spiritualities of South East Asia, Elsner forged a new practice of watercolour and ink brush painting in a scroll format modelled on Japanese and Chinese art. He believed that every brushstroke was immediately a reflection of its makers state of mind and a pure reflection of the spiritual path.

4 works

Elsner in the collection

Mullar Nassr Eddin by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, c.1978
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Mullar Nassr Eddin · c.1978

Dante Elsner
You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum by Dante Elsner — Watercolour on Japanese Mulberry paper on painted board, 1990
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You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum · 1990

Dante Elsner
A small Nobody in contact with Great Space, Great Nobody by Dante Elsner — Ink and watercolour on Japanese Mulberry paper on painted canvas, 1980
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A small Nobody in contact with Great Space, Great Nobody · 1980

Dante Elsner
Elsner
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You ask, how can we know the infinite? I answer, not by reason. It is the office of reason to distinguish and define. The Infinite, therefore, cannot be ranked among its objects. You can apprehend the Infinite by a faculty superior to to reason, by entering into a state in which you are your finite self no longer - in which the divine essence is communicated to you. This is exstasy. It is the liberation of your mind from its finite consciousness.,,, But this sublime condition is not of permanent duration. It is only now and then that we can enjoy this elevation above the limits of the body and the world. - Plotinus: Letters to Flaccus, From P.D. Ouspensky: Tertium Organum · 1990

Dante Elsner